I got involved in a lively discussion on Facebook last evening. It was about TV shows and was between some of the UK’s most successful contemporary crime writers. I’m not surprised that crime writers enjoy their TV. Writing novels can be a very intense process and visual media can be a great way to unwind, whilst also stimulating the brain.
As viewers, we are a fussy bunch. The writing and acting must be razor sharp and believable. The characters perfectly drawn. But we are also in luck, because there are some fantastic shows available right now. From British offerings like Line of Duty, Broadchurch and The Night Manager to House of Cards, Homeland and The Good Wife.
Upon considered reflection, I decided that I need a new classification for these great shows. It’s all very well being given tips for binge-worthy box sets. But with my family growing up fast, and staying up later, I have diminishing opportunities to watch ‘adult’ dramas. However, I’m not the sort of person who needs blood, gore or bad language to make my viewing grown-up and challenging. This is where my alternative classification comes in.
Nothing appeals to me more than a clever, well written and compelling drama that my daughter can watch too. When I discover a show like this, I’m jumping for joy. The Good Wife is a classic example of such a production. Sassy, smart and sophisticated, there are only a handful of episodes I would deem inappropriate for a twelve year old. The West Wing was another of these and Designated Survivor, a show currently airing on Netflix, is one more to add to my list.
So, my new classification is for grown-up shows which are also child-friendly. This isn’t the contradiction in terms that it sounds. We are longing for the next series of The Crown, and will be catching up with The Good Wife spin off, The Good Fight, on More4 as soon as we can, because they fulfill this requirement. I don’t want to have to send my daughter into another room in order to enjoy decent TV. We still watch the box together, however retro that may seem. And I would like to continue to do so.
It used to be that 10.30pm was the home of ultra gritty cop dramas. The 9pm slot was filled with more mainstream classics like The Adventures of Sherlock Holmes and Inspector Morse. Nowadays, the grittier fare is ubiquitous and makes life difficult for discerning parents trying to limit our children’s exposure to life’s horrors.
Perhaps we could have a specific channel for these less ‘hard-hitting’ shows. They don’t have to be slow moving or the writing feeble. That’s not my point at all. I think there’s a real future for this kind of programme. There are far greater parallels between the generations than many of our contemporary television producers seem to think.